Between 2001 and 2003, Cathy filled workbooks with collages, paintings and drawings. She worked in a state of tension and feverishness.

The workbooks have an intimate and spontaneous side to them that I don't find with other supports. Their form, their size, their structure and how they can be filled and folded are unique. Each one of them is a book, a safe, a treasure, a document, a poem, a secret, a dream... I can take them with me on the plane, to the restaurant, to bed. The moment I open it, the world opens and I can begin to work. Ever since my childhood, books like these have affected me.
Travail de Jeunesse (1972-1974, Geneva)
La découverte du papier Kraft (1976, Paris)
Les Pastels (1979-1980, Devon – England)
Feutres (1988)
Parme – Italy (1988-1989)
Factures (1989-1991, Travels)
Animal & other Dancers (1990-1991, Pietrasanta – Italy)
Monochrome (1992)
Mezzi di Trasporti (1992)
Série de Portraits (1992)
L’appartement en face du Musée Rodin (1992-1994, Italy)
Autoportraits (1993-1994, Parme – Italy)
Chaises rouge (1994-1998, Paris)
Portes Jaune (1995, Paris)
Chaises rouge (1996, Paris)
Les Autoportraits - Découpages (1997, Paris)
Les Squelettes (1997, Paris)
Chaises rouge (1998, Paris)
Chaises rouge et pile d’habits (1998, Paris)
Prière (théâtre) (1999-2001, Paris)
Prière (portrait de famille) (1999-2001, Paris)
Prière (paysage) (1999-2001, Paris)
Les Carnets (2001-2003, Paris)
Collages (2002-2003, Paris)
Mey / Josefowitz (2006-2007, Genève)
Collages (2006-2007, Genève)
Work-in-process (2010-2012, Genève)
Moving walls (2013, Hégenheim)
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